In pictures: Jim Jarmusch on the surrealist images that inspired his films
In the closing scene of Jim Jarmusch’s Coffee and Cigarettes (2003), two icons of the American avant-garde, Bill Rice and Taylor Mead, make a toast to “Paris in the 1920s… and New York in the 70s”. Both are historic periods marked by artistic revolution: the flourishing of NYC’s radical countercultureand the official dawn of surrealism […]